Coming soon: A profile on the music of Nancy Sinatra

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A photo of the young Nancy, dipping her toes ca. 1955

She’s Frank’s daughter, she’s the perennial symbol of the 60’s go-go boots pop girl, she’s one half of the greatest Pop Duo ever (Lee Hazlewood and Nancy – oooh!) and she’s given us a musical legacy that seems eternally fresh and exciting.

Born in 1940, Nancy made her first solo record in 1961 and her last solo album so far came out in 2004. In that time span she has released a string of albums and singles that not only contains an enormous amount of great music, it’s also a document on how a 60’s pop girl can develop her talent, change with the times and put her personal stamp on great songs that fit her voice like hand in glove!

The 60’s Nancy: Short dress, big hair, lots of eye lashes and those go-go boots that were made for walkin’

Always being compared to her famous father, Nancy proved that even without that blood line she clearly would have made it to the top anyway. But the genes may have provided the talent in the first place. She has been criticized of not having a “great voice” – which I think is quite absurd; She does sing mostly in a limited register, sure. But what comes out is one of the softest, purest voices in show biz, and she is pure pleasure to listen to!

Nancy, ca. 2005. Still looking good, her career had a real up-swing in the new millennium!

Check back in a few days – for a closer peek into the musical world of Nancy Sinatra….

Ulrik Thømt – jeg skulle sunget blues for deg….

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Mitt første blogg-innlegg på norsk, og grunnen til det er at saken som opptar meg akkurat nå har foregått i Norge, og omhandler forhold i Norge…

Via en venninne på Facebook, ble jeg gjort oppmerksom på denne saken – og delte hennes bilde med en gang, da jeg selvfølgelig blir både opprørt og sinna når jeg leser dette, både fordi det Ulrik Thømt skriver treffer meg midt i hjertet, og også fordi han dessverre ikke er alene om å oppleve en situasjon som denne!

Bildet av Ulrik’s Facebook-status ser dere nedenfor her:

Ulrik Thømt er en modig ung mann, som taler mobber’ne midt i mot!

Personlig kjenner jeg ikke Ulrik Thømt, men både som medmenneske og som nestleder i Østfold Barne- og Ungdomsråd, blir jeg engasjert av selve saken, og også ganske flau over at denne situasjonen tydeligvis har oppstått i det fylket som er mitt ansvarsområde innen barne- og ungdomsarbeid. ØBUR engasjerer seg vanligvis ikke i enkeltsaker som omfatter personlige forhold, men dette er en sak som alle med ansvar og engasjement for sitt eget fylke og lokalmiljø ikke kan unngå å sette fokus på!

Overskriften på dette innlegget er laget for å holde en viss forbindelse til mitt vanlige fagområde her inne, nemlig musikk. Og mye bra musikk er blitt skapt av vonde, personlige opplevelser. Hadde jeg selv kunnet komponere, er jeg veldig overbevist om at Ulrik’s historie hadde fått form av en blues, men med en optimistisk slutt i siste verset!

Til Ulrik Thømt vil jeg si følgende: Stå på!!! Du er en tøffing og fortjener RESPEKT for måten du takler dette på!

Jeg blir alltid opprørt og engasjert i mobbe-saker, enten det gjelder religion, legning, utseende eller hva som ellers er grunnlag for mobbing. Jeg velger å skrive blogginnlegg om dette – og håper dermed å nå ut til mange lesere og skape blæst om denne saken. Ulrik har selv tatt et steg i riktig retning for å få dette på agenda’n – vi andre kan hjelpe til ved å spre denne saken til våre forbindelser, den digitale måten å nå andre på er omfattende, og denne gangen skal nettet brukes til en STØTTE-KAMPANJE og ANTI-MOBBING!!

Ulrik – jeg håper du også leser dette, og kan “kjenne” at jeg herved gir deg et stort klapp på skulderen! Dette er ikke din skyld, og du skal med hodet høyt hevet bare fortsette å sloss mot disse personene!



Susan Maughan – Bobby’s Girl is all grown up


Eyes fixed at the top of the charts in 1962…

Born Marion Susan Maughan, in Durham County, North East of England, on July 1st 1942, she grew up in Birmingham.  As a child, her family relocated to Birmingham, and after leaving school she became an office typist. She answered an advertisement in Disc Weekly for a featured vocalist with the Ronnie Hancox Dance Band. Susan successfully auditioned and spent three years with Hancox.

In 1961 she was introduced to agent Dick Katz, who was looking for a female vocalist to join the Ray Ellington Quartet. Within a few weeks Susan was enjoying her first engagement with the quartet at the Sporting Club in Monte Carlo. She remained with Ellington for a year. Her 1961 debut release was titled “Mama do the twist”. Her second single, “Baby doll twist”, and on the B-side she did an updated version of the old 1920’s Hit Song “Some of these days”. Her third single was the more melancholy “I’ve got to learn to forget”.

In 1962 she was regarded as a challenge to the young and very talented Helen Shapiro. This followed the release of her wonderful record, “Bobby’s Girl”. The song had already been a hit in the US for Marcie Blane. Susan dropped the spoken, syrupy intro and jumped into the song head on. To this day it is still regarded as a classic, and one of the true “girl group” sounding gems of the 60’s!

Susan’s debut album, named after her big hit

Susan followed with more song in the same vein, but none of the came anywhere near the popularity of “Bobby’s Girl”. And none were very original either, so they sort of got lost in all the other records released by girl singers and girl groups in the early 1960’s.

Having been featured as a band singer previously, Susan of course had plenty of experience with the more classic pop songs, standards and evergreens. So, after just one pop album, she switched lanes – and went in the opposite direction, back to the classic American Songbook!

Her 1963 album found Susan “swinging” twelve classics from the Great American Songbook

Obviously being very comfortable with this kind of material, she takes a completely different vocal approach to this 12 songs. The result is very good versions of i.e. “If I were a bell”, “The gypsy in my soul”, “Gone with the wind” and “A lot of livin’ to do”. The album has been re-released on CD, and is still available from Amazon – but at terribly high prices!

The photo on her 1964 album, reflects the music. Smooth, silky and very beautiful…

On her next album, “Sentimental Susan” (1964), she still stuck to standards and classic pop, but this time going for the more gentle and tender stuff. The whole record is very good, and this is actually one of the best collections of this kind of music ever released! You will love her versions of “I’m in the mood for love”, “I’ve grown accustomed to his face” and “Someone to watch over me”!

Susan was part of the line-up for the 1963 Royal variety show, which also starred the Beatles. Susan sang “It might as well be spring” and “Bobby’s girl”.

Susan in the arms of The Beatles, 1963

She became a popular guest on television shows, including “Ready steady go!”, “Thank your lucky stars” and the “Morecambe and Wise Show”. Susan also had the female lead in the musical film “What a crazy world” alongside Marty Wilde (Kim’s father), Joe Brown and Grazina Frame.

A further musical feature, “Pop gear”, recently released on DVD, starring Billie Davis and Susan, who sings “Make him mine” in the film. The same year (1966) she put out another single, tailor-made for the German market. Singing in German, both sides had Susan singing (once again) about boys!

A 1966 single – still dealing with the eternal theme – BOYS!

Back in the UK, her second single of 1966, “Where the bullets fly”, was the title track of a spoof James Bond film and very much in the dramatic, Shirley Bassey/James Bond mould, but with a little more subdued vocals of course!

A year later, another album,  “Hey look me over” featured Susan offering a jazzy approach to some old songs like “Great day” as well as current pop hits like  “I’m a believer” and “There’s a kind of hush”.

Her 1967 album “Hey, Look Me Over”

After this, Susan worked continuously in clubs, concerts and travelled extensively around the UK and Europe. She was signed to different labels during the early 1970’s and had some singles on the market at infrequent intervals.

Despite the title of this 1971 single, I personally find it very easy to love Susan!

A lot of the girl singers who appeared on the scene in the early 1960’s was all gone (well, most of them!) a decade later. Actually, I think Susan was smart to widen her range of music, and getting a position as more of an all-round kind of entertainer. She has a clear, strong voice that can do a wide range of material, and with her cheerful personality and charm, she has always been a pleasant attraction in any musical setting. I doesn’t hurt either, that she is very beautiful to look at, has a fabulous figure and an infectious laughter….

Another single, from 1973. By then, Susan had certainly found HER way!

She went on to make another album in 1974. Titled “This Is Me”, it is a very nice collection of new material, in the pop/country mould that was very popular in the early 70’s. Extremely rare and never released on CD – the track list is listed below the cover photo:

Her very rare 1974 album – “This Is Me”

Time (Is Such A Funny Thing)
Help Me Make It Through The Night
Bigger Than I
There’s Gotta Be A Way
For the Rest Of My Life
Once More With Feeling
Almost Close To you
This Is Me
We’ll Singing The Sunshine
If We Only Have Love
Where Do You Go
Children Of My Mind

1975 had Susan doing her version of “El Bimbo” on a one-off 45, competing with versions by Finland’s Marion Rung and Italy’s Roseanna Fratello.  The next year, she released another single – this time her version of the Motown classic “It’s the same old song”.

One of very few examples of UK girls doing Motown stuff; 1975 single “It’s the same old song”….

In 1979, Susan released her (so far) last album of new material. Called “Superlady” – it finds the gorgeous Susan doing her own versions of a lot of current pop hits. All the songs are good, but still you can’t keep from comparing them to the original versions. Among the tracks, you find “With you I’m born again”, “Ain’t no mountain high enough”, “Last dance” and “Love is in the air”.

Call the fashion police! Awful cover, but the music on 1979’s “Superlady” is quite good

By the late 1970s and early 1980s, Susan had carved a niche in pantomime work and as a regular fixture on the 1960s nostalgia circuit.

Susan ca. 1980 – still cute as a button!

By the early 1990’s, Susan could look back on 30 years in the spotlight – and a career that while based on ONE hit song alone, has seen her branch out into a lot of other fields of entertainment!

Looking slightly garish in this early 1990’s photo, Susan is obviously joking about push up bras!

Even today, she is still in demand for 1960s tours. Part of her set features a tribute to some of the other girl singers of the 1960s – Helen Shapiro, Dusty Springfield, Petula Clark, Kathy Kirby and Cilla Black – and she sings a song most associated with each particular star.

A blond Susan with male company, taken around 2002/2003

As you’ve probably guessed by now, Susan is one of my favorite girls from the 60’s – and her voice and music never ceases to please my ears….. After 50 years of making music, the eternally beautiful Susan has reached the age of 70, but Bobby’s girl still seems ageless. Much like her music!

A fairly recent photo of Susan. She, like her music. remains untouched by the hands of time….

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