stianeriksen

My last post on this site dealt with some fabulous disco records – all made in 1979. They were all more or less obscure one-off releases by some now forgotten acts and one by a never-to-be-forgotten-ex-Supremes diva, Mary Wilson.

Another great record appeared that same year, a single called “Come To Me”. I bought the single, performed by a beautiful young girl called France Joli. The song starts out with a ballad intro, then picks up steam and turns into a disco extravaganza. When I bought her debut album, “France Joli” I was happy to find a much more complete (i.e. longer) version of the song on it, lasting close to 10 minutes. Followed by the next song, “Let Go” which is almost the same length, I was dancing around the room and I was definetely an instant fan of this Canadian singer – who was all of 15 when this album was made! The album consists of only four songs, all made for dancing – and totally perfect for 1979!

The first album, “France Joli” (1979)

Producer Tony Green (born as Antonio Di Verdis-Mazzone) had to strike while the iron was hot, and 1980 saw the release of another album, “Tonight“. Putting the ballad “This Time (I´m Giving All I Got)” out as the first single proved a wrong move, so more danceable stuff were put on the next singles; “Feel Like Dancing” and “The Heart To Break The Heart”.

Tony Green, France Joli and Gene Leone in 1979

Luckily, these last two songs confirmed that France was indeed a force to be reckoned with if you wanted to dance in the late 70´s.

Her second album, “Tonight” (1980)

Her third album for Prelude Records, 1981´s “Now!” saw a slight shift in musical directions for France. Turning down the tempo a couple of notches, this record is a much more urban contemporary affair, and a style that suits Miss Joli´s smooth, silky, but still strong voice. My personal favourites from this album are “Gonna Get Over You” and “Can We Fall In Love Again”.

Third album, “Now!” (1981)

When France Joli switched labels in 1983, from Prelude to Epic, I was certainly not prepared for the musical change that also took place. The album “Attitude” shows a completely new France, and even as great as she had been up to this point – she gets even better here! Ditching the disco sound completely, France works with Pete Bellotte and Giorgio Moroder and they created an absolutely stunning concoction of radio ready rock with a slice of synth pop and just a tiny bit disco. France herself sings in a new way too, showing off that she is one terrific singer – as she slides effortlessly over the fast paced rhythms, heavy drum machines and guitar solos. She also wraps her silky pipes around some really juicy lyrics, done in tongue twisting tempos.

Fourth album “Attitude” (1983) – you didn´t see this one coming!

If comparable to anything else released in 1983, it has to be the albums Teri Tims and Tane Cain put out around the same time. These three albums by these three different singers form a category all their own, it might be labeled AOR – but it´s not quite that either. “Attitude” will forever stand as France Joli´s crowning achievement, and I consider it one of the best albums of the 1980s! Standout tracks are: “Nasty Love”, “Dumb Blonde”, “Girl In The 80s”, “Walking Into A Heartache” and “Standing In The Shadows Of Love”. If you want to own just one France Joli album – get this one!

1984 saw France participating at the Yamaha Music Festival in Japan, and she won the Grand Prix for her song “Party Lights”. That is no surprise as the George Duke-produced track is a stunner. He also produced her fifth and final album, “Witch Of Love” (1985). In addition to her Japanese winning entry, the albums opening track “Does He Dance” was put out on a single and gained some attention in the clubs. On this album France does one of her very few ballad performances, a beautiful version of Snow/Weils “Love Always Finds A Way”.

The fifth of France, “Witch Of Love” (1985)

During the last 30 years, France Joli has done very little recording but a lot of live performing. She is an ever popular singer, appearing at festivals and disco shows to an always appreciative audience.

Her career may be based on her 1979 hit “Come To Me” – but the few years she spent making albums has left us with a portrait of an artist who deserves to be considered as much more than a “70s Disco Diva”. Personally, I am sorry she didn´t make more albums, as she had potential to be something much greater, judging from her 80s albums. One can always hope that some producer will re-discover her, and get her back into the studios! Talent always wills out in the end….

My personal thanks to the “tres jolie” Miss Joli, vive la France!

France in the 2010s, on stage doing a fabulous show for the audience