Tvi, tvi – Trine Rein!

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I morgen går finalen i Stjernekamp 2015 av stabelen – og de to finalekandidatene er Trine Rein og Maria Haukaas Mittet. To av Norges flotteste stemmer skal altså konkurrere mot hverandre, men kun en går av med seieren. For meg blir det ett fett hvem som vinner – de er utrolig dyktige begge to!

Trine Rein er alikevel den som ligger mitt hjerte nærmest; etter at Trine bosatte seg i Skiptvet er hun plutselig blitt Indre Østfolding, og dermed kommer det jo litt lokalpatriotisme inn i bildet også – hun synger jo liksom på vegne av hele Indre Østfold i finalen! Det er dessuten en liten, personlig episode rundt Trine Rein og meg, men det kommer jeg til litt lenger ned på siden…

Trine er en artist som har interessert meg stort helt siden debuten. Første gang jeg hørte Trine synge, hørte jeg noe helt spesielt. Her snakker vi om en norsk artist som fra første tone hun sang hørtes ut som en internasjonal stjerne av stort format – og det har også vist seg å være riktig. Etter 12 runder i Stjernekamp har Trine bekreftet nok en gang at hun har en helt enorm stemmeprakt. Samtidig har hun også klart samtlige utfordringer de ulike sjangerne har gitt henne; hun tok opera-utfordringen rett på hæl’en og var den eneste virkelige sopranen den kvelden. Heavy metal skled hun gjennom som om hun ikke hadde gjort noe annet i hele sitt liv, og forrige uke var det Electronic Dance Music hun imponerte i – med en vanvittig krevende låt med en utall av oktavendringer underveis….

 

Trine Rein - stor stjerne i finalen i Stjernekamp 2015

Trine Rein – stor stjerne i finalen i Stjernekamp 2015

 

Trine Rein så dagens lys i San Francisco, California 7. november 1970, og flyttet til Nesodden i Norge da hun var drøyt ett år gammel. I følge diverse kilder på nettet så har Trine vært opptatt av sang hele sitt liv, og allerede 6 år gammel bestemte hun seg for at hun skulle bli artist. Midt i tenårene dannet hun duoen Sounds of Silence sammen med Asgeir Knutsen, og de stakk av med annenplassen i Ungdommens Kulturmønstring det året de deltok. Etter å ha gjort seg ferdig med high school i USA, kom Trine tilbake til Norge og fikk seg jobb som studio-sanger – noe som førte til at hun medvirket i en lang rekke reklame-jingles og andre typer reklameinnslag. Ved siden av jobbet hun som sanger i cover-bandet Saturn – noe som Trine anser som en veldig viktig del av sin karriere som sanger (og som vel også langt på vei forklarer hvorfor hun kan synge absolutt alle typer musikk like bra).

Platedebut ble det i 1991 da hip-hop bandet W.I.P. (World In Peace) hyret Trine til å kore på en av sine låter, men likte stemmen hennes så godt at hun endte opp som hovedvokalisten på albumet “The Songs We Write“. I en alder av 20 år hadde Trine allerede masse erfaring, og hun fremstår på dette albumet som den norske motparten til f.eks. CC Music Factory (som hyret Martha Wash til å gjøre lignende vokalistjobb) og Marky Mark & The Funky Bunch (som kunne smykke seg med Loleatta Holloway som samarbeidspartner). Selve albumet er så tidstypisk 1991 at du ikke kan ta feil av når dette er spilt inn – her har du funky rap med soulfulle “diva-innslag” på løpende bånd. Trine imponerer stort på tittellåta og også på “Dream” – som er en hip-hopete oppdatering av Everly Brothers gamle slager, “All I Have To Do Is Dream”. Stilmessig er den ikke fjernt fra hva svenskenes Carola gjorde med Billy Joel’s klassiker “Just The Way You Are” samme året….

Norsk hip-hop anno 1991. Den snasne dama med hatt i midten, er Trine Rein som platedebuterer her...

Norsk hip-hop anno 1991. Den snasne dama med hatt i midten, er Trine Rein som platedebuterer her…

 

I november 1993 kom det første solo albumet, “Finders Keepers” ut… 600.000 mennesker i Norge og Japan found it and kept it og hele landet nynnet, sang, svermet og saktedanset til “Just Missed The Train”. Som oppfølger valgte Trine en soul klassiker fra 1960-tallet, Lorraine Ellison’ s “Stay With Me, Baby”. Etter at en lang rekke artister har slitt seg ut på den (bl.a. Rex Smith, Kiki Dee og Bette Midler), så skulle altså versjonen som ligger tettest opp til originalens intensitet og innlevelse komme fra norske og (den gang) nesten ukjente Trine Rein. Det skapte såpass oppstyr rundt sangen at det var jo ikke til å unngå at Trine fikk synge akkurat den under OL-sending fra Lillehammer i 1994 – da hele verden så Norge på TV døgnet rundt…

Å si noe særlig mer inngående om de øvrige albumene Trine har utgitt, er vel unødvendig: de finnes allerede i så mange hundretusen norske hjem at “alle” har dem, og alle har sine favorittlåter…. “Beneath My Skin” kom ut 1996 (og inneholder “Torn”), “To Find The Truth” ble gitt ut 1998 (og inneholder “World Without You”). Vi måtte vente helt til 2004, da kom “The Very Best of Trine Rein” (med to nye låter: “Cry Baby” og “With Or Without You”).

Trine deltok i Melodi Grand Prix i 2006 (og sang “Here For The Show”) og i 2007 (da hun sang “Maybe”). Noe nytt studioalbum kom ikke før i 2010, og het “Seeds Of Joy” etterfulgt av “Julegaven” året etter. I 2013 kom albumet “20 år midt i musikken – Hitter og favoritter Live” – og den holder hva den lover. På dette albumet finner du også Trines forrykende versjon av “Ten Thousand Lovers (In One)” og en tolkning av “I Will Always Love You” som ville gjort Whitney Houston grønn av misunnelse og Dolly Parton rød av glede – godt jobba!

Hvorvidt hun vinner i morgen eller må innta andreplassen – det er usikkert inntil siste stemme er talt opp. Det som derimot er sikkert, er at Trine har fått vist frem absolutt alle sider og nyanser av sin fantastiske stemme – og at hun til tross for sparsomt antall utgivelser og noen lengre inaktive perioder, fremdeles er Norges mest helstøpte artist, med en stemmeprakt og allsidighet som få andre innehar.

Helt til slutt – min “personlige episode” med Trine Rein: Like før jul 1993 var jeg verdens lykkeligste mann, med helt ny kjæreste og hele livet var vidunderlig. Vi satt på et stille, rolig utested rett før jul – og fordi vi ikke skulle feire jul sammen, ble det litt gavebytting denne kvelden… Det viste seg at vi begge hadde kjøpt gavene hos gullsmeden, og når man bytter gull – da kan det vel kalles forlovelse da vel… I bakgrunnen sang Trine i samme sekund “I found you, and finders are keepers…” – og hun fikk rett! I found him, I kept him and I still have him – 22 år etter! Takk Trine, for at din musikalske spådom slo til her i huset!

 

 

Lesley Gore (is) “Someplace Else Now”

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Since her untimely death in February this year, a lot of stuff has been written and said about this truly magnificent 60´s pop icon. Much of it is praise for the fabulous singer she was, but she also gets much kudos for her songwriting and also her later engagement in the LGBT movement.

The title of her 1972 album pictured below has taken on another meaning now that Lesley is no longer on this earth….

 

Her 1972 album, "Someplace Else Now"

Her 1972 album, “Someplace Else Now”

 

When the album came out in 1972, the title had another meaning of course; it was a signal that Lesley had put her sunny girl-group style of pop behind her, and was heading in a new direction….

Artistically, it bears little resemble to her sixties material, but it more than shows that she had artistically grown! If the pop singer she was in the 60s was a girl, this album showed off Lesley – the grown woman.

Coming a year after Carole King´s “Tapestry” – the ALL-encompassing charter on how to create a very good singer-songwriter album, Lesley´s 1972 output is of course touched by the influence of Queen Carole The King….

Throwing away any and all of the themes that her 60´s output dealt with (boys, lollipops, rainbows, kisses, Judy, young love, love gone bad, hoping to be loved by “him” etc) – “Someplace Else Now” contains a Lesley hitherto unknown to the public: the socially aware woman who damn well knows rainbows and kisses are of no use in every day life in 1972 America.

Getting to show off several new aspects of her voice while handling some really demanding lyrics, this album should maybe be heralded as the birth of Lesley Gore – the singer (as opposed to pop singer, 60´s style!)

Songs like “She Said That” (the albums lead-off single) and the heart wrenching “Out Of Love” (study those lyrics will you….) are maybe the two best songs here, but the other ten are great also. Lesley made a fabulous record at the right time, but tough competition from La King herself, and the fact that not many of Lesley´s fans from the previous decade understood what she was about at this point all contributed to the fact that the album soon fell into obscurity….

So, you may wonder, why am I writing about this long forgotten 70´s album now…?

It´s out on CD now! For the first time in 43 years, you can buy this album again! And it is certainly one that is long overdue for re-release too!

Whenever a popular singer dies, record companies usually mine their vaults to get a “new” album out. Thankfully, after Lesley´s passing they chose to haul this one up from the basement instead of making yet another “best of” collection. I certainly hope this will lead to a new release also for her “Love Me By Name” album that came out some years later….

Lesley Gore´s music is too good and too valuable to be kept from the public – and I am all too happy to finally have this one out on CD! That view is shared by millions of Lesley-fans around the world, and I know you will treat yourself to this one – now you better be “Off & Running” (pardon the pun – I couldn´t resist!) to the nearest record store. This re-release is not to be missed!

Lesley, going somewhere - in the late 1960´s

Lesley, going somewhere – in the late 1960´s

 

 

Silver Convention – From 1975 and up until today

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Silver Convention was Germany’s leading disco group and also the leading female trio during the 1970’s. The impression they made on the charts during their relatively short time span as a group is remarkable. The ladies who formed Silver Convention also had solo careers – and in November this year, it will be 40 years since their chart topping classic “Fly Robin, Fly” topped the hit lists all over the world. They released 5 great albums, did some one-off singles and the three ladies all continued working after the group disbanded.

I will take a look at their recorded output (both as a group and as solo artists) and give you an update on what these ladies are doing today.

The classic lineup from left to right: Penny Mc Lean, Linda G. Thompson and Ramona Wulf

The classic lineup from left to right: Penny Mc Lean, Linda G. Thompson and Ramona Wulf

Originally being just another studio group, Silver Convention was actually formed after their first single “Save Me” had seen some success. Penny, Linda and Jackie Carter then sang the six words to “Fly Robin, Fly” – and this robin certainly could fly! No one was even prepared for what happened next, as the song took off and turned into a major disco hit. The song topped all the major US Charts (The Hot 100, the R’n’B Charts and the Dance Charts) – making Silver Convention the first German act to achieve that feat! They also won the 1975 Grammy Award for best instrumental recording. Jackie Carter had left the group at this point, and had some solo success with her own hit, “Treat Me Like A Woman” – and former child star Ramona Wulf stepped in to fill the empty spot.

Their first album, but with its second cover

Their first album, but with its second cover

An album called simply “Silver Convention” was released – with a rather risqué cover, depicting a topless woman. It was quickly withdrawn, and after “Save Me” also saw some chart action – the album was renamed “Save Me” (1975) and in the place of the nude woman, a couple of handcuffs was printed. In addition to the afore-mentioned two hits, this album also contained another hit single, “Always Another Girl” and the beautiful ballad “Please Don’t Change The Chords Of This Song”.

Silver Convention was very close to duplicating their no. 1 achievement with the title track from their next album, “Get Up And Boogie” (1976) – but it stalled at no. 2. Still in their first 12 months as a group, they had reached the top 3 of the US Charts twice – a feat unequalled by any other German act before or since! Continuing with their brand of semi-instrumental disco, this album also contains songs like “San Francisco Hustle”, “No No Joe” and “Thank You, Mr. DJ”

Second album

Second album “Get Up And Boogie”

The second album of 1976, “Madhouse” came out maybe too soon after the success of “Get Up And Boogie” and seems to have been a little overlooked at the time of its release. Still it’s a great album, a little more funky than the two preceding ones. Some of the more memorable songs are “Dancing In The Aisle”, “Fancy Party” and “Everybody’s Talking About Love”. After the release of this album, Linda G. Thompson left the Silver Convention and was replaced by the American, New York born Rhonda Heath.

“Madhouse” was their second 1976 album

Silver Convention was chosen to represent Germany in the 1977 Eurovision Song Contest, and dressed in pink and purple pant suits, their performance of “Telegram” is still today a highlight of ESC history! They finished in eighth place, but their entry was one of the best that year (and I still think they should have won – no offense to Marie Myriam who did!). That song was included in the fourth album “Summernights” (1977), and this album also contain great songs like “”Blame It On The Music” and “Disco Ball”.

Summernight

During 1978, Penny Mc Lean also left the group – due to a very successful solo career (see below). She was replaced by Zenda Jacks, about whom not much is known except that she sang with Ramona and Rhonda on their fifth and final album “Love In A Sleeper” (1978). The albums title track was quite a hit, and this album also is the home to great songs like “Acuestate Conmigo” and “Spend The Night With Me”. After another, no-album single called “Cafe Au Lait” b/w “Roller Mania” – Silver Convention as a group was disbanded, and another one of the great disco acts of the 70’s ceased to exist….

Final SC album,

Final SC album, “Love In A Sleeper” had Ramona, Rhonda with new member Zenda Jacks doing the singing

The ladies who at one time of another were members of Silver Convention, also more or less successfully did solo work – before, during and after their time in the group. We’ll take a closer look at what they were up to!

Jackie Carter (born Jaqueline Nemorin): Jackie made a solo album in 1976 called “Treat Me Like A Woman“, from which the title track was a small hit in Germany. She also made some one-off singles, among them “Paint It Black”, “Merry-Go-Round” and “Unsere Welt Will Immer Nur Gewinner Sehen”. She faded from public view in the early 80’s.

Founding member Jackie Carter's solo album from 1976

Founding member Jackie Carter’s solo album from 1976

Ramona Wulf (born 1954 as Ramona Kraft) started her career as early as 1970, and she released a long line of singles as a young girl. Her complete list of solo singles is as follows:

  • 1970 Du – ich brauche was und das bist du / Liebe ist ein schönes Spiel
  • 1971 Alles was wir woll’n auf Erden / Ich muss telefonieren
  • 1971 Merry Christmas / Das Weihnachtsmärchen vom Gänseblümchen
  • 1971 Jeder ist nur eine Hälfte / Kein Prinz, kein Held, kein Millionär
  • 1972 Lieber dich und kein Geld / Weinen ist Silber, Lachen ist Gold
  • 1972 Liebe ist für alle da / Nur Probleme
  • 1972 Wenn du gehst / Party Party
  • 1973 Das weiß der Himmel allein / Zuerst kommst Du
  • 1974 Mama, du tanzt nie Rock’n Roll / Ich glaube, ich habe mich verliebt
  • 1974 Oh, wie so wundersam / Kleine Squaw
  • 1975 Käm doch einmal ein Seemann / Young Love
  • 1975 Sugar Candy Kisses / Liebe heißt das Lied
  • 1976 Save the Last Dance for Me / Baby, it’s the Rain
  • 1977 Natural Man / Teacher
  • 1978 Parlez-moi d’amour / I’ll Never Marry in the Summertime
  • 1979 Boomerang / Come On Over To My Place
  • 1980 Thank You Baby / Cats’ Eyes
  • 1980 4 on the Floor
  • 1983 Flashdance – Tanz im Feuer / Atemlos
  • 1986 Body Beat / Pride and Passion
  • 1988 Heartbeat / Mood to Mood

Outside of Germany, her best known hit is her updated, discofied version of “Save The Last Dance For Me”. It was included on her 1977 album “A Natural Woman“. This is one album that is way overdue for re-release, it is chock full of great songs, like “Teacher”, “Baby, It’s The Rain” and the title song! The album came out in a renewed Version two years later, then called “Parlez-moi D’Amour” – after Ramona had turned Lucienne Boyer’s old chestnut into yet another disco classic. Always noted for her great beauty, the stunning Miss Wulf is the daughter of an American soldier and a German mother.

Ramona Wulf released her best known solo album,

Ramona Wulf released her best known solo album, “A Natural Woman” 1977

Linda G. Thompson (born 1948 as Linda Übelherr): Linda also had worked as a solo before Silver Convention. Way back in the late 60’s, she used the name Gigi and as such put out a German language version of “The Waiting Game” titled “Dann Ging Das Telefon”.

During her time in Silver Convention, she had her biggest solo hit – “Ooh, What A Night” in 1976. Later on more singles followed, such as “Come Softly”, “Never Get Over You” and “Flight To Fantasy”. In 1979 she was one of the participants in the German ESC outtakes, singing the duet “Wochenende” with Jerry Rix.

“Ooh, What A Night” was Linda G. Thompson’s biggest solo hit

Rhonda Heath (born 1955) has had a sporadic and also erratic solo career since her SC days. She has done back-up singing for a lot other artists, she was recording vocals for La Bionda, and was a short time member of La Mama in addition to putting out the odd single and a couple of albums at irregular intervals.

Rhonda Heath - a 2008 photograph

Rhonda Heath – a 2008 photograph

Penny Mc Lean (born 1946 in Austria as Gertrude Wirschinger). I saved the best and biggest for last. The awesome Penny by far had the greatest solo career of all the SC ladies, and she could warrant a blog post all her own. Equipped with an awesome voice, great vivacity and stage charm in abundance, Penny was always the centre of attention in SC.

Penny started out as a recording artist in the mid-60’s in a duo with her husband, they labeled themselves “Holger & Tjorven” and basically sang folk tunes. Penny also at various times used “Barbra”, “Barbie Münzer” as stage names and served time as vocalist in yet another duo, “Barbra & Helmut” as well as in groups “Penny Box” and “Penny Explosion”.

Penny 66

Penny as one part of “Holger & Tjorven”, 1966

European disco Music was forever changed in 1975, when Penny put out her landmark solo hit, “Lady Bump“. It was the title track of her first album. More hits followed; “1-2-3-4 Fire!”, “Devil Eyes” and “Big Bad Boy”. The song started the bump dance craze, it’s incredibly catchy, very well sung – a true classic!

Her classic solo debut album,

Her classic solo debut album, “Lady Bump” came out 1975

Penny released two more albums during 1977 and 1978, titled “Penny” and “Midnight Explosion” respectively. There also were some single hits that never appeared on any of her albums; “Nobody’s Child (1976), “Zwischen Zwei Gefühlen” (1977), “Wild One” (1978), “Tut-Ench Amun” (1979), “Love Is Love” (1980).

Penny didn't sing just disco: This German single from 1977 Places her in a gentle ballad mood

Penny didn’t sing just disco: This German single from 1977 Places her in a gentle ballad mood

In the early 80’s, Penny left the music business behind – and started a new career in numerology and esoteric healing.  This is still today her chosen path. She has written 18 books on different spiritual maters, and is in constant demand for lectures and courses around Germany, Austria and southern Europe. She very rarely performs these days, but has occasionally returned to the stage to sing her old hits at various tribute functions.

The Silver Convention ladies today: Penny’s work is accounted for above, and she has made quite a career for herself in that Field. Healthwise, Penny is not so good; she suffers from an autoimmune deficiency that requires a strict, fat free diet and she is plagued by skeletal pains and an infected liver. She eats only rice, chicken and drinks green tea to avoid pains and discomfort. She jokes that it is “good for the figure, but not always for my mood!”

Ramona Wulf left the music business, married and had children. She also started working within the alternative treatment Field, and since 2001 she has her own psychotherapy clinic in Berlin.

Linda G. Thompson is the only full time musician; she performs at galas and events all over Germany on a regular basis. She is also a teacher at the musical theater IMAL in Munich. She hopes that SIlver Convention one day will get back together and start touring again – but says she’ s sorry she can’t get Penny and Ramona in on that idea….

They have, however, done a few selected performances quite recently. In 2013 the Three of them performed at a function in the Alliierten Museum in Berlin…..

Penny, Ramona and Linda in 2013

Penny, Ramona and Linda in 2013

…. and this year Penny, Rhonda and Ramona did a specially re-written Version of “Thank You, Mr. DJ” at the reception held in honor of Sylvester Levay’s 70th birthday.

Rhonda, Penny and Ramona with Sylvester Levay. Photo taken 2015

Rhonda, Penny and Ramona with Sylvester Levay. Photo taken 2015

Personally, I applaud Linda’s idea of a reunion tour. If that never happens, the facts are clear none the less: Silver Convention will always be remembered – for their music, for the achievements, for their great voices and for all the joy they have brought to millions of fans around the globe for the last 40 years!

Jaki Graham – All Boxed Up

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It was just a matter of time (cause we all knew it HAD to happen, right..!?) before some smart record company executive did it: All of Jaki Graham’s 7 albums recorded 1985 – 1998 in one nice box. Finally it’ s here!

 

Step right up - the Jaki box is here!

Step right up – the Jaki box is here!

 

Jaki Graham (born September 15, 1956) burst on the scene in the mid-1980’s, and immediately placed herself in the front line of British singers. Her music was the much need vitamin shot for the 80’s: Soulful, danceable, well produced and extremely well performed!

The Box includes these original albums: “Heaven Knows” (1985), “Breaking Away” (1986), “From Now On” (1989), “Real Life” (1994), “Hold On” (1995), “Rhythm Of Life” (1996) and “My Life” (1998). All of her great hits and best known songs are here, as well as a few pleasant surprises and at a total of 86 songs – this is a treasure chest!

Anyone who ever set foot on a dance floor during the 80’s and 90’s have surely done some dancing to songs like “Could it be I’m falling in love”, “Round and round”, “Mated”, “Step right up”, “The closest one”, “Set me free” and “Ain’t Nobody” (her cover of the Chaka Khan song that hit no. 1 in the US Dance Charts). Also you get a whole bunch of very nice and soulfilled ballads – of which my absolute favourite is the stunning “The better part of me” (off the 1989 album).

If you think that now I’m going to give you an overview of the different songs and albums, you’re wrong – I am hereby chasing you off to the record store (whether online or physical) to buy the box, because this one is not to be missed! And while you’re at the store, you should also get the one album that is not included in the box: Jaki’s great album of jazz and blues standards “For Sentimental Reasons” (2012). It is her last album so far, and while it stylistically is very different from the other seven albums, it does fill out the picture of what Jaki can do as a singer, and who knows – maybe a career in jazz is on the horizon. A great album, get yourself this one as well!

Her 2012 collection of jazz and blues standards must not be overlooked

Her 2012 collection of jazz and blues standards must not be overlooked

Jaki Graham is one awesome singer, and whether you wanna dance or just relax you are sure to find songs in her recorded legacy that will fit your mood at any time.

It it usually considered an honour to get your collected works all boxed up. This time around the honour is bestowed upon the great Jaki Graham – very well deserved!

 

 

Wishing all my readers a warm & happy summer

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Well, time flies – I am not really sure what happened to the first six months of this year….. Guess it must mean I have had plenty to do, and no time to get bored!

I also realize I haven’t been nearly as active on these pages as I’d like to be. I will have to rectify that very soon!

My profile on Betty Wright is in the works, and will be published soon. Hopefully the Norwegian summer will be a nice one, and I will get to spend a lot of time in my lovely garden. Some photos from the garden can be seen below

 

Some shots from my garden at home....

Some shots from my garden at home….

 

Wishing you all a very nice, warm and happy summer! Fill your days with nice things, good friends, good food, ice cream – and lots of music!

And do check in here – updates will be published continuously!

Up next – A closer look at Betty Wright

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She has been labeled the “Queen of Miami Soul”, she just as well may have been labeled the Queen of awesome singing, because anything that Ms. Wright has comitted to tape or done on stage so far, is destined to thrill you to bits!

 

Betty Wright, photo from 1975

Betty Wright, photo from 1975

 

Betty Wright was born in December 1953, and was thus only 14 when her first album “My First Time Around” came out 1968. Since then, Betty Wright has released a long line of albums, and her music is almost a category all of its own. Miami soul it is, but she pours soul into everything she does, whether it is Miami flavoured, reggae infused, disco inspired or neo soul-y….

During the last six decades (yay!!) Betty has recorded many truly stunning albums, and I will soon give you all a closer look at those…. Album titles like “Explosive!”, “Danger – High Voltage” and “Wright Back At You” should give some clues about what this lady is all about. That she vocally can do anything from a deep, slurred whisper and then extend her voice up into the whistle register, is also proof that Betty Wright is one of the most amazing singers to appear on the scene during the last 50 years. (For more info about that, check this link: http://en.wikipedia.org/wiki/Whistle_register )

 

Betty Wright - photographed in 2010

Betty Wright – photographed in 2010

 

Stay tuned, a profile on the great work of Betty Wright coming up on this site in a short while….

 

 

 

Teresa Brewer – A musical chameleon!

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Teresa Brewer has taught me a lesson; to never judge anything by its initial appearance! The first time I heard her sing, I didn’t like what I heard. I thought her voice sounded funny, with all kinds of squeeky yelps, a tinny sound and sobbing histrionics. I don’t remember what song it was, but it kind of turned me off, and I decided that I wasn’t going to be a big fan of hers….. This happened many years ago, and time and musical knowledge has changed my view on Teresa completely – so much so, that I now consider myself a big fan!

What I did discover was that Teresa has a very special kind of voice, and like all other really good singers, even she needs to be put in a musical setting that fits her voice and talent. At the beginning of her career, there was often a shortage of just that, and so she was many times recorded quite unfavourably. And some of the material she was handed, wasn’t really all that much either….

Luckily, Teresa managed to rise above the stuff she was forced to record at the start, and developed into one of the most versatile singers ever! She has recorded more than 600 songs, released albums of a lot of different musical styles and has proven that she indeed is one of the best and most versatile female vocalists in popular music.

Theresa Veronica Breuer was born on May 7, 1931 in Toledo, Ohio and died at the age of 76 in October 2007. As a child, Teresa had sung and danced on various shows and performed on both radio and TV. At the age of 18, in 1949 – she made her first record; backed by The Dixieland All-Stars, she released a single called “Copenhagen”. On the flip side of that record was the tune that forever will be linked to Teresa’s name: the incredibly catchy (and quite silly) “Music, music. music”. That song raced up the charts, and Teresa was immediately on her way to stardom. For the next 45 years, she would go on to have a very varied and extensive recording career, gracing a lot of different styles with her great voice. I will spotlight some of the fabulous albums she made, and hopefully also change the opinion that Teresa Brewer was a 50’s novelty singer who just sang cute and funny songs – she is so much more than just that!

 

A collection of all her recordings on the London label 1949-50

A collection of all her recordings on the London label 1949-50

During 1949 and 1950, Teresa recorded for a label called London. They put her in the novelty bag straight away, and she got to record a lot of those “cute & funny” songs for that label. In addition to “Music, music, music” her hits while on London also included “Choo’n’gum”, “Molasses, molasses”, “I beeped when I shoulda bopped” and “The thing”. Teresa comes off as a young, “not yet fully developed” singer, and some of the backing isn’t right for her voice; at times she appears to be loud rather than powerful. But in 1951, she changed labels and signed with Coral records. From there on, she would start making a long line of really great music that came out on several of her most cherished albums.

Coral records provided a much more sympathetic backing for Teresa, and while she didn’t quite get away from novelty songs, she did get to record a lot of different material – and hits kept coming! During her first 5 years on the label, she notched up no less than 13 Top 20 hit singles, they include: “Longing for you”, “Gonna get along without you now”, “Til’ I waltz again with you”, “Richochet”, “Jilted”, “Let me go, lover”, “A tear fell” and “A sweet, old-fashioned girl”. In 1956 she got the New York Yankees center field player, Mickey Mantle to appear as a guest on her recorded homage to him, “I love Mickey”!
Coral released six great albums during 1956-1961, showing off to great effect the many sides of Teresa: “Teresa” (1957), “Time For Teresa” (1958), “Miss Music” (also 1958), and “Heavenly Lover” (1960). She was at her swingin’ best on 1960’s “Teresa Brewer & The Dixieland Band“, and showed off her tender, sensual side on 1959’s beautiful collection of ballads, called “When Your Lover Has Gone“….

After her two last hits on Coral, “Have you ever been lonely” (1960) and “Milord” (1961), Teresa at first signed with Phillips in 1962 and spent 5 years on that label, later moving on to record for Flying Dutchman Records and Red Baron Records. From the early 60’s and up to the 90’s, Teresa made many truly great albums, and this is the period that I consider the most exciting (and important) of her career. She had earlier been labeled “Miss Versatility”, but from this point on, she would more than prove just how fitting that tag was!

On her 1960 album “Ridin’ High“, Teresa gets to do big band swing – and does she ever swing! This album shows her natural talent for jazz, one which she continued to develop. For about 5 minutes in the early 60s, Hawaii Music was quite popular, and several singers hopped on the wagon to record exotic and tropical stuff that was supposed to be Hawaiian style. Despite all their talent in other fields, you can easily just skip the Hawaiian outings by such terrific singers as Joni James and Connie Francis. Teresa made her album “Aloha From Teresa” in 1961, and it is no worse than any other releases in this awful genre, but we can easily say that songs like “Lovely Hula Hands” and “Princess Poo-Poo Ly” (no, it’s not about what you might think!) certainly are no highlights to be looking back on…

 

A big band swing album from 1961

A big band swing album from 1961

 

1963/64 gave us the albums “Terrific Teresa“, which is basically a pop record with a certain country flavour. She also made a covers album called “Golden Hits Of 1964” – which is just that. The first of these includes great stuff like “Like I Do” and “Am I That Easy To Forget”. The second sees Miss Tess putting her own special stamp on recent hits like “Where Did Our Love Go”, “Suspicion”, “My Boy Lollipop” and “The Girl From Ipanema”. Both albums are highly recommended, as they show off different aspects of Teresa to very good advantage.

Her 1965 album “Don’t Mess With Tess” is another album of swinging standards, like “You Came A Long Way From St. Louis” and “Down With Love”. Another album consisting of covers came out 1966 – called “Gold Country“. Teresa’s voice certainly is very well suited to country, and this album is stuffed with great versions of more or less well-known songs like “Evil On Your Mind”, “Make The World Go Away”, “Once A Day” and “The Tip Of My Fingers”.

 

Despite the glittering coctail dress and the tiara, this is just 100% pure country!

Despite the glittering coctail dress and the tiara, this is just 100% pure country!

Another country-flavoured album appeared in 1967, but this time with a Tijuana touch as well…. Called “Texas Leather And Mexican Lace“, it shows Tess sinking her chops into stuff like “Mexican Joe”, “Spanish Flea” and “The Wayward Wind”. This musical hybrid was a late 1960s fad, and as such it is one of the best examples you can find.

Upon entering the 1970s, we get to a really exciting period in Teresa’s career. On single releases, she re-recorded her old 1950 hit “Music, Music Music” twice: First as a rock song, and in 1976 she did it as an extended disco song, and proved that she could easily have been a disco diva as well if she’d chosen to!

The 1971 album “Teresa In London With Oily Rags” is a true highlight! The opening track, “Come Running” is nothing but hard rock, and at the end it turns into an almost gospel feverish ending, with Teresa really wailing in a way you’d not thought possible! Other standouts on this album are “Heading Out East” and a stunning interpretation of Kris Kristofferson´s “The Pilgrim Chapter”. The album closes with the quite long “Tomorrow Is Today”, on which she starts out backed only by a tinkering piano, but during the five minutes the track lasts it turned into a Heavy rock ballad. Truly one of her absolutely best albums, not only for the stunning vocals but also because it truly reveals what a diverse and magnificent artist Teresa is.

 

London obviously turned Teresa into a rocker of the first rank. A GREAT album!

London obviously turned Teresa into a rocker of the first rank. A GREAT album!

 

She followed this masterpiece with another stunning album, 1973’s “Singin’ A Doo-Dah Song“. By this time you wouldn’t know quite what to expect from Teresa, and she certainly gives a few surprises on this one too;  “Cotton Fields” is done very fast, and she also yodels a bit. “Guantanamera” is done with mandolins and Spanish guitars, and sung in Spanish. She does a great version of Kenny Loggins’ “Vahevala” and “Danny’s Song” (made famous by Anne Murray). Add to this two tracks mostly connected with Bessie Smith: “Cake Walking Babies From Home” and “You’ve Been A Good Ol’ Wagon” – and you get quite a varied musical package!

 

This 1973 album is stuffed with musical surprises! Obviously there is no end to what she can do!

This 1973 album is stuffed with musical surprises! Obviously there is no end to what she can do!

 

Next up was the 1975 album “Unliberated Woman” – which is in the country rock style. Stand out tracks from this one is “Some Songs” – very strange that this great little nugget didn´t get more airplay – and “Hang It Up & Let It Go” plus the slinky, funky “For The Heart”.  The final track is the nice rocker “Deep Is My Love”. The whole album once again proves that Tess, musically, by this point in her career could do absolutely everything!

 

This honky tonkin´1975 collection of country rock is also highly recommended!

This honky tonkin´1975 collection of country rock is also highly recommended!

 

1977 saw the release of yet another album, titled “Teresa Brewer´s New Album“. This time around she goes for an adult contemporary approach, and the album is a great collection of MOR songs. The song “Tonight I Sleep Alone” has been much praised, and rightly so. Musically, this was the first instance in popular music where the lyrics deal with the woman turning the guy down, telling him “put your clothes back on and get out of my house“… Teresa shows a flair for acting out the lyrics like a story, and this song is thus one of her true masterpieces, and one of the best recordings she ever did. The opening track “Moonglow/Theme From Picnic” is a song dating back to the 50s, but Teresa does it in a pop-disco mode, and it works very well as such! After Judy Collins turned “Send In The Clowns” into hit of the year in 1975, it has been much recorded. Teresa offers her version here, and it is done in a gentle and intimate way – bringing out a lot of beautiful nuances in the song. There is also a funny, gospel styled song called “Gonna Telephone Jesus”, as well as a disco versions of “Hello Dolly” and “I´ve Got You Under My Skin”.

 

This 1977 albums contains disco, gospel and an all time adult contemporary ballad masterpiece

This 1977 albums contains disco, gospel and an all time adult contemporary ballad masterpiece

 

Teresa ended the 1970s by releasing an album made with Earl Hines, called “We Love You, Fats” (1979). And this collection is dedicated to the songs of Fats Waller. The two of them conjure up everything that is great about Fats Waller, and they seem to be enjoying each others company in the studio. Teresa jumps head on into classics like “The Joint Is Jumping”, “Keepin´Out Of Mischief Now” and “Honeysuckle Rose” and does marvellous versions of all of them!

You´re gonna love Fats too when you hear what Teresa and Earl do with his songs!

You´re gonna love Fats too when you hear what Teresa and Earl do with his songs!

 

This album also in a way marked the starting point for the rest of Teresa´s career, as she continued releasing excellent jazz records all through the 80s & 90s. As a jazz singer, she is right up there with the best of them – and I bet Anita O´Day must have felt her as a strong competitor for the title of greatest white jazz singer ever!

During the approximately 50 years she made records, Teresa certainly did a little bit of everything – and obviously there was nothing that she couldn´t do vocally or musically.

Truly versatile, truly one of the greatest singers to ever live – truly and totally Teresa Brewer!

Singer & mum: Teresa in 1973 with her four daughters Mega, Susan, Kathleen and Michelle. Obviously, beauty runs in the family...

Singer & mum: Teresa in 1973 with her four daughters Megan, Susan, Kathleen and Michelle. Obviously, beauty runs in the family…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A personal tribute – Goodbye, Jackie Trent

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When Colin Gregory emailed me yesterday, to tell me his wife of the last ten years – Jackie Trent (1940-2015) – had died on March 21st, I couldn’t really believe what I was reading…..

I had a kind of “special” relationship with Jackie, and we kept in touch by email (at infrequent intervals) during many years. So even though we have never met in person, getting an email from Jackie always felt like hearing from a dear old friend. Whether she did this with all of her fans or just me, I don’t know. But she was thrilled to bits the first time I wrote her, and she immediately proclaimed me to be her No 1 Fan in Norway!

 

Jackie used to sign all her mails to me with "Love from Jackie - Big voice, big hair"! This photo shows the latter...

Jackie used to sign all her mails to me with “Love from Jackie – Big voice, big hair”! This photo shows the latter…

 

I guess some of you now wonder – who IS Jackie Trent? Even if the name might not be familiar, her music no doubt will be. As a songwriter Jackie collaborated with her then-husband Tony Hatch, and together they wrote a long list of songs that are now classics. Petula Clark had several hits in the 1960s that were written by Jackie and Tony. There can’t be anyone alive on planet Earth who hasn’t heard songs like “Downtown”, “I Know A Place”, “I Couldn’t Live Without  Your Love”….. In addition, they also wrote the theme song to the Australian TV-series “Neighbours” and the British football team Stoke City got the song “We’ll Be With You” written especially for them – and 40 years on it is still the teams personal anthem, being sung at each and every game. Tony & Jackie wrote more than 400 songs together.

 

Tony Hatch and Jackie Trent - what a team!

Tony Hatch and Jackie Trent – what a team!

 

Jackie the singer is another chapter in the musical life and career of the great Miss Trent. Jackie might joke about her “big voice, big hair” and while the hairdos changed through the years, the voice never did. Jackie was a tremendously gifted singer as well. The girl born as Yvonne Burgess in 1940, made her first record in 1962 – a single called “Pick Up The Pieces”. Renamed Jackie Trent, she was another one of the British big-voiced girls. I don’t know why, but a whole lot of the great caucasian and really soulful girl singers come from Great Britain: Dusty Springfield, Lulu, Cilla Black, Kiki Dee, Sheena Easton, Amy Winehouse, Adele etc., etc. And Jackie is right up there with the rest of them….

By 1963, Jackie was signed to the PYE label, and stayed with them for the next 11 years. And during this era, she made the bulk of her recorded legacy. While she (of course!) recorded her own songs, she also had a great eye for picking winners from other sources and her years on PYE is chock-full of vocal delights.

 

This is the one to get! 50 great recording by Jackie 1963-75

This is the one to get! 50 great recording by Jackie 1963-75

 

The PYE years provided Jackie with many musical highlights, and the collection pictured above is really the one to get. It proves once and for all that as a singer Jackie is just marvelous, and each of the 50 tracks proves it! Whether doing soft ballads or something powerful and up-tempo, Jackie is right on target. Her spectoresque treatment of Edith Piafs classic “If You Love Me, Really Love Me” sounds like it’s produced by the man himself. And while the music also here is indeed a wall of sound, Jackie cuts right through and delivers a truly powerful vocal. “Time After Time” is an old evergreen that has been done by hundreds of singers through the years. Jackies version is an updated one, making it sound like a completely new song, and another stunning vocal performance.

Phil Spector did produce the Ronettes version of “You, Baby” – but he and Ronnie Spector must have been tearing their (big) hair out when they heard what Jackie did with it. Her take on that song is true perfection! The title track was Jackies only charttopper, and it is still a classic 60s power ballad that has stood the test of time very well. Other highlights are “Love Is Me, Love Is You” (also recorded by Connie Francis in both English and German to great effect), “Goin’ Back” (Jackies version is in the same league as those recorded by Dusty Springfield, Eydie Gorme and Elkie Brooks – all of which are awesome!), “If You Go Away”, “Send In The Clowns”, “Corner Of The Sky” (from “Pippin”) and “Everybody Rejoice” (from “The Wiz”). If just one track has to be specially highlighted, it has to be the fabulous interpretation of Scott Walkers “Such A Small Love”. It is a perfect example on how lyrics, voice and music can perfectly melt together and create true magic. If this doesn’t give you goosepimples all over – nothing ever will!

 

Jackie on stage in 1971, no doubt flooding the audience with great singing

Jackie on stage in 1971, no doubt flooding the audience with great singing

 

After the mid-70’s, Jackie took a rather long break from recording – but she was still performing around the globe, both in concerts and in musicals. Examples of the latter being “Nell” (1969), “The Card” (1973), “Rock Nativity” (1976) and “High Society” (2004).

Jackie personally wrote me in late 2008 to tell me she was planning a new album, the first in more than 30 years. The plans came through all right, and “Trentquility” was released in 2009. It proves that Jackie had lost none of her talent, and her voice and interpretive skills are completely intact. The whole album is great, but the song that stands out is “Handbags And Gladrags”. Compare it with the more famous recordings by Chris Farlow and Rod Stewart, and you will see what dimensions Jackie brings to the intricate melody and cryptic lyrics. Another masterpiece!

 

Her 2009 album "Trentquility" turned out to be last collection of new recordings made by Jackie....

Her 2009 album “Trentquility” turned out to be last collection of new recordings made by Jackie….

 

Her legacy as a singer and composer is stunning, and new versions of Jackies songs are being made every year. She will be remembered as one of the truly great songwriters of the 21st Century, and rightfully so. She should also be remembered as the powerful but emotional singer that she was – a singing actress indeed. Jackie could go from a soft whispering to a big belting sound in a matter of just a few notes, and the kind of singer that she was is the kind you very rarely hear these days.

 

Jackie Trent - forever remembered with much love and admiration

Jackie Trent – forever remembered with much love and admiration

 

My very best to Jackies ex-husband and co-writer Tony Hatch – thanks for creating all that great music! My heart goes out to Jackies children Darren and Michelle, and her husband Colin. To you she was wife and mum, to me she was someone I admired tremendously, and it was always a thrill to get an email from Jackie. I will miss her Christmas greetings this year…..

 

 

 

 

Cancel the party – Lesley Gore is dead

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I received the sad news of Lesley Gore’s passing yesterday. Lesleys fight against cancer was finally ended on February 16 2015.

If anyone could be named the greatest female pop star of the 1960, Lesley was it. When she burst on the scene in 1963, her music, voice and style was something completely new. She was young, she had a new sound, she had Quincy Jones arrange and produce her songs, and her voice was pitch perfect. When “It’s My Party” topped both the US Hot 100 as well as the R’n’B Charts in 1963, the young singer (born May 2, 1946) had well and truly arrived.

 

Lesley Gore in 1963

Lesley Gore in 1963

During the 1960’s, Lesley notched up one chart hit after the other, and she released 8 very good albums. She acted in films and was on TV’s “Batman”. Her looks, sound and music are all the definitive sounds of the 60’s – and as an artist, what she did back then was something we hadn’t heard before. Although some of her original albums from that decade might be hard to get, you can get a very good box set: the German label Bear Family collected ALL of her 1960’s recordings (whether released or not) plus her recordings in other languages on 5 CDs and boxed it all up into the greatest Lesley Gore collection ever. It is (of course) titled “It’s My Party” – and this is indeed a party! You see the Bear Family Box Set pictured below.

On 5 CDs, you get absolutely everything Lesley recorded in the 1960. Bear Family did it again!

On 5 CDs, you get absolutely everything Lesley recorded in the 1960. Bear Family did it again!

In the early 1970s, musical tastes changed, and Lesley cut down on her activities in the studio. With the happy “girl group sound” giving way to more rock oriented material, as well as the emerging singer-songwriter styles of James Taylor and Carole King – Lesley as a 60’s Icon was suddenly outdated…. Still, no changes in musical trends could hide the fact that she is a great singer. A new kind of Lesley thus appeared on her first album of the 70s – called “Someplace Else Now” (released 1972).

Her 1972 album, "Someplace Else Now"

Her 1972 album, “Someplace Else Now”

Choosing not to work a lot during the 1970’s – she did however put out a new album in 1976. Called “Love Me By Name“, it was another great collection of lovely songs performed very well. The title track did get a new life when Dusty Springfield covered it on her 1978 album “It Begins Again“. Then in 1980, Lesley co-wrote some of the songs for the movie soundtrack “Fame” and got herself an Oscar nomination for best song (“Out Here On My Own”)

"Love Me By Name", her 1976 album

“Love Me By Name”, her 1976 album

 

Another album came out in 1982, though it hardly received any promotion, and is probably an album that a lot of people don’t know exists. Titled “The Canvas Can Do Miracles“, it consists of cover versions of a lot of other people’s songs, like Carly Simons “Haven’t Got Time For The Pain”, Dolly Partons hit “Here You Come Again” and “You’re The One That I Want” from the Grease Movie. All the songs are impeccably performed by Lesley, but overall this album isn’t the most essential addition to your collection….

Lesley Gore's little known 1982 album, "The Canvas Can Do Miracles"

Lesley Gore’s little known 1982 album, “The Canvas Can Do Miracles”

During 1986, Lesley was one of the “Legendary Ladies of Rock ‘n’ Roll”, sharing honors with Mary Wells, Martha Reeves, Freda Payne, Shirley Alston of the Shirelles and Brenda Lee. Clips of the ladies during the show is to be found on YouTube, and the standout stunner is Lesley performing her old hit “You Don’t Own Me” – at this time turned into a very powerfully sung feminist anthem!

After 23 years, Lesley finally got into the recording studio once more, for her final album “Ever Since” (2005). This album is yet another great example of good song performed very well, and it was critically acclaimed – but no chart hit. It marked the end of a recording career that spanned 42 years of making great music.

The final album released by Lesley; "Ever Since" (2005)

The final album released by Lesley; “Ever Since” (2005)

 

A lot more active on stages around the world, Lesley was constantly touring and always a great concert attraction. So I guess we should forgive her for not making more records than she did. But looking back on her output, there are indeed many treasures to be found.

From 60s pop princess to 2000s LGBT activist, Lesley pretty much did it all, and she did it extremely well. I still can’t quite comprehend that the gorgeous voice was silenced forever Monday this week – but I will get used to it somehow…

At least I have dozens of great songs to listen to, and although I sure don’t feel like partying, the eternally great voice of Lesley Gore will be able to raise my spirits at any time, years from now!

Lesley Gore pictured after a show in 2011

Lesley Gore pictured after a show in 2011

R.I.P, Lesley – we will cancel the party for now (and I’ll cry if I want to…..)

 

 

 

 

 

Coming up soon – a closer look at Bettye LaVette

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Bettye LaVette is currently one of the truly great blues and soul singers in the business. For the last ten years she has released one great album after another, showing time and time again what a totally dedicated and consummate artist she is.

A lot of people might not be aware that she made her first record way back in 1962 and spent years struggling on small labels, constantly working but never quite making it into the big league. She made dozens of great singles in the 60s and early 70s, was a disco singer in the late 70s, had her first released album come out on Motown in 1982 – after TWENTY years of working in the business, then moving on to the British label Motorcity in the late 80s, before rightly claiming her well-deserved position in this millennium.

The great Bettye LaVette

The great Bettye LaVette

Universally acclaimed for her talent these days, the record companies have been wise enough to re-release most of what Bettye has recorded during the last 53 years, and a survey of her recording career will be published here during February or March. Stay tuned!

 

Calla was just one of the smaller labels Bettye worked for. Ad from 1965

Calla was just one of the smaller labels Bettye worked for. Ad from 1965

 

 

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