Vikki Carr – One Hell of a Singer!

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Almost a year ago, I did announce a closer look at the great Miss Vikki Carr and her many albums, thereby dipping into the musical legacy of a great singer who is maybe one of the most versatile artists around. To categorize Vikki is close to impossible, but we can roughly divide her career into three different phases: For most of the 60’s she was a pop singer of the traditional kind, for the first part of the 70’s she was a combination of country singer and modern pop singer. And then finally from the mid 1970s and up until today, she claimed her position as the all-round Queen of latin pop. So the 40+ albums she has released since the first one came out in 1963 stands as a unparalelled documentation of how one of the greatest voices in the music business took on different shadings through the years, adapting to current trends, shaping her voice to fit any kind of material – and losing none of her spark and personality through it all.

V is for Vikki! A recent photo from an Award show

V is for Vikki! A recent photo from an Award show

Born in El Paso, Texas in 1941, Vikki was given the fabulous birth name Florencia Bisenta de Casillas Martinez Cardona. She grew up with her 6 brothers and sisters in Southern California. At the age of 20 she was signed to Liberty Records, making her debut single in 1962. Called “He’s A Rebel” – it was a small hit in Australia. In the US Darlene Love recorded it, and as released under The Crystals name, the song soared to number 1 on the charts – and Vikki’s version went nowhere…! Pity, because the two versions are quite similar, and equally well performed. Oh, well – Vikki quickly made a version for the Spanish-speaking market (“Es Rebelde”), and then started preparing her first album, “Color Her Great” (1963).

Miss Carr around the time of her record debut

Miss Carr around the time of her record debut

While her first single suggested a pop singer very much steeped in the then-current trends, her first album showed that Vikki chose another direction; she picked most of the material from the classic American songbooks and traditional pop. But by doing that, she carved out her own niche – here was a young, fresh talent doing material from way back, thus combining her youthful appeal with something the older generation also could relate to. Also evident from the opening track was the fact that vocally, Vikki’s voice was far better suited to a little more demanding stuff than what most of the early 60s girl-group pop floss could offer. She opens the album with a zippy version of the old chestnut “Bye Bye Blackbird”, adding to it a professional touch and style that makes it seem like she had spent 20 years in the business already! The next year  she put out two albums, much in the same style as her debut, called “Discovery” and “Discovery II“. The opening track of the first one, is the very first song I heard Vikki sing, and that one that turned me into an instant fan! From the musical Oklahoma, “The Surrey With The Fringe On Top” had been performed for years – but never like this! Vikki starts out sweetly and gently, obviously having a great time acting out the farm girl. Then for the third verse she suddenly adds power, making you jump to attention – then the does the ending in an intimate whisper. It is a great example on “how to do it”; if you choose to sing the standards, you need to add something new and fresh to make your version stand out. That is one thing Vikki Carr did right from the start, and so she made even the most time-worn old songs sound as they were written and tailor-made just for her! She stuck to the same musical formula on her next album, “Anatomy Of Love” (1965), but (as the title might suggest) did a lot more current stuff on “The Way Of Today” (1966) – i.e. doing covers of recent hits like “You Don’t Have To Say You Love Me” and “Anyone Who Had A Heart”, “I Will Wait For You” and “Strangers In The Night”.

This 1966 album marks the transition from traditional to current pop singer for Vikki

This 1966 album marks the transition from traditional to current pop singer for Vikki

If there is one song that will forever and always be connected to Vikki Carr, it’ “It Must Be Him”. It is still her greatest hit, and a song that gave her no less than three Grammy nominations. The single soared almost to the top of the charts, and the album “It Must Be Him” (1967) was a huge hit as well. In addition to its classic title track, this album is also the home of some incredibly good songs like “A Bit Of Love”, “Never My Love” and the completely stunning “Tunesmith” (recorded, equally well, the same year by Johnny Rivers). Riding high on the crest of this hit record, Vikki made three more albums during the late 1960s, the last one being the live “For Once In My Life” – showing that she also had a great connection with her audience! Enter the 1970s – and Vikki changed directions once again – this time to country & western. Both her first two albums of the decade had a very strong Nashville feel to them, and (not surprisingly) proved that she was very good doing this kind of music also. First off came “Nashville By Carr” (1970), followed by “The Ways To Love A Man” (1971).

The 1970/1971 country albums on a 2 for 1 CD

The 1970/1971 country albums on a 2 for 1 CD

Nashville By Carr” is maybe a bit more “country” than its successor. Vikki does a variety of early 70s country songs here, the stand-outs are “Singing My Song”, “The Tip Of My Fingers” and “Sunday Mornin’ Comin’ Down” – very convincingly performed from the female point of view also! “The Ways To Love A Man” is a little more subdued as Vikki goes in for a very relaxed and ballad heavy style on most tracks, along the way making even Bobby Goldsboro’s saccharine “Honey” sound good! The early 70s was a very productive period for Vikki, before 1973 was through – she had made four more albums. The next two are good examples of the kind of luxurious pop music made back then; “Love Story” and “Superstar” (both 1972). Both albums finds the wondrous Vikki backed by sumptuous orchestrations and strings – making them some of the best “adult pop” albums recorded. On the first one, she does great songs like Gordon Lightfoot’s “If You Could Read My Mind”, “If I Were Your Woman” (a then-recent hit for Gladys Knight & The Pips, later done by Bonnie Bramlett, Stephanie Mills and others), a stunning take on Diana Ross’ “Ain’t No Mountain High Enough” and “For All We Know” (a song also done by The Carpenters, Shirley Bassey and Norma Lewis). “Superstar” contains the great title track (written by Bonnie Bramlett and recorded by her twice). It was a hit also for The Carpenters as well as Bette Midler the same year. Other highlights include “I Can’t Give Back The Love I Feel For You”, “The Night They Drove Old Dixie Down” and “Loving Him Was Easier”. This album is also proof of Vikki’s great skills as a singer and interpreter; she waxes soulful on “Spanish Harlem”, plaintively heartfelt on “Crazy Love” and sensuously filled with longing on the title song….

Vikki in the early 1970s

Vikki in the early 1970s

Then it was time to change musical directions once again, and her next album was done all in Spanish; “Vikki En Espanol” (1972). Though she had done some Spanish material earlier, this album is the first time she comes off as a true latin styled singer. The Carr voice is very much the same, but she adds another flavour to it, making all the songs sound like the “real thing” and not like any American singer, just singing in another language. The best example is “Se Acabo” – a fiery chestnut that was also recorded with various  degrees of “latin fuego” by Lola Flores (ay!), La Lupe (explosive!) and even Eartha Kitt (smouldering!). Putting all her Mexican heritage into the music on this album, it is a true achievement and is the first step Vikki took into establishing herself as a major star in the Spanish-speaking music market!

"Vikki En Espanol" - her first step towards her superstar status in the Spanish music market (1973)

“Vikki En Espanol” – her first step towards her superstar status in the Spanish music market (1973)

During 1973 and 1974, Vikki put out the last two of her “American pop” albums; “Ms. America” (1973) and “One Hell Of A Woman” (1974). Both of them finds Vikki squarely placed within the middle-of-the-road, adult contemporary bracket, and she comes off a little like a female John Denver or James Taylor. Both albums are very pleasant listening, filled with great songs – but I also feel that she has fazed out some her of vocal trademarks on these albums – some of the old spark isn’t really there, and on the first listen, it could be anybody singing these songs… You don’t recognize anything very Vikki here. But this doesn’t mean the albums should be avoided, by all means – this is very good stuff indeed!

The 1973/74 albums "Ms. America" and "One Hell Of  A Woman" as another "2 for 1" CD

The 1973/74 albums “Ms. America” and “One Hell Of A Woman” as another “2 for 1” CD

From the 1975 album “Hoy” and onwards, Vikki made almost exclusively Spanish language records, and thus starting another direction of her career. Since then she has churned out one great latin album after another, a complete list can be found on her great website In doing so, there was a downside to it as well; By American and international listeners, she is today considered a “60s singer”, someone who “used to make records” and thought of as someone who appears on the oldies circuit, doing her hits from way back when…. It is very far from the truth of course – but an indirect result of limiting herself to the Spanish-speaking market. But her triumphs as a singer has been much appreciated by her new audience: she received gold and platinum records for her hits  “Total”, “Disculpame”, and “Mala Suerte”. Her 1985 mariachi album “Simplemente Mujer” earned her a Grammy Award, her 1992 album “Cosas Del Amor” did the same. Vikki has also received a lot of other distinctions, awards, keys to different cities, an honorary award from the Vietnam veterans, and she has sung for no less than five different American presidents! When looking for Vikki Carr albums, you will find that any and all of her latin albums are widely available, but that a lot of the albums she made 1963-75 might be hard to find – and if you do, they are quite expensive. EMI put together a 3 CD set in 2007, containing 80 songs – taken from her 60’s albums as well as some foreign language versions and some single sides – called “The Ultimate Collection“. This is highly recommended as it gives a great musical portrait of one of the best singers who came on the scene during the 1960’s.

The wonderful Vikki Box Set - treat yourself to this one!

The wonderful Vikki Box Set – treat yourself to this one!

One of her albums may be called “One Hell Of  A Woman“, but a more fitting title might be “one hell of a singer“. In a career that has lasted more than 50 years, Vikki Carr has just about done it all, she has done it incredibly well, she has made a career in two different musical universes – and is just as much respected as a “latin” singer as she is an “American” one. The quality of her recorded output (in any language) is totally awesome. She belongs with the best of the female singers of the 1960s, in the same class as Barbra Streisand, Connie Francis and Liza Minnelli. But then again, the second phase of her career might place her as the female counterpoint to Julio Iglesias as well…. No matter what language or style – Vikki Carr is one great singer – always! Punto y final!

Sharon Redd – 20 Years On….


On May 1st 2012, it will be 20 years to the date since Sharon Redd died – I can hardly believe it… Must be because her music lives on, and she still lives through her music. There can’t be anyone over the age of 40 who hasn’t, at one time or another, danced to some of the great club hits she recorded. As a solo performer, her career encompassed much more than most people are aware of, and due to her much too premature death, I feel a loss of music that could have been – if she’d lived longer….

80's publicity photo

Sharon Redd (19 Oct. 1945 – 1 May 1992) may be first and foremost remembered for a lot of dancefloor-filling club hits of the 80’s, but before those came out she had done a whole lot more! She started her recording career in the late 1960’s, and released a total of 6 singles during the next 4 years: “Half as much” (1967), “Do you want me?”, “I’ve got a feeling”, “Since I lost you” (all 1968), “Easy to be hard” (1969), and finally “Where the mind can breathe” (1971). All these records helped her to establish a reputation as a very fine R n’ B singer with an expressive voice. They reveal a much more soulful Sharon than what you find on most of her club hits of the 80’s.

After 1971 there were no more records for quite some time, but Sharon branched out into acting. Her first major part was in the Australian production of “Hair” 1969-71, and Sharon stayed with the play during its entire run – becoming quite a star in Australia also! She appeared on the TV programme “GTK”, she made a fabulous commercial for Amoco Oil that was seen all over the country and she got to starr in her own Television Special! Later on, she was featured in the American TV sit-com “Rhoda” playing the role of Sherrie. She had a starring role in the London production of “The Wedding of Iphigenia” in 1974, and you can see her in a smaller part in the 1978 movie “Sgt. Peppers Lonely Hearts Club Band”.

And of course: from the mid-70’s and up to 1978 she was one of Bette Midler fabulous singers/dancers “The Staggering Harlettes” doing a lot of touring and shows with Bette. The 1977 Midler album “Live at Last” feature the Harlettes very prominently! They also made an album of their own in 1977, called “Formerly of The Harlettes”

Sharon (left) in The Staggering Harlettes, 1976

1979 saw the release of the song for which she is maybe best remembered; “Love Insurance”. For some reason this record never carried Sharon’s name – with the label reading “Front Page”. If any band of that name really existed, they were a studio product only, and it is Sharon who should be given all credit for this classic disco hit. It’s widely available under her name now, and can be downloaded from most music sites. Its almost seven minutes is pure musical bliss, and when she shouts “Surrender, baby!” during one of the breaks, that’s the only thing to do!

Right after “Love Insurance” hit, she was offered a contract with Prelude Records, quickly being turned into that labels “First Lady” and making three albums in quick succession for them. Her first album was titled simply “Sharon Redd” and she had big hits with songs like “Can You Handle It” and “You Got My Love”. The album also includes two songs that should have been hits; “Try My Love On For Size” and “It’s A Lie”.

Her next album, “Redd Hott” came out 1982, and she scored more hits with the songs “Never Give You Up”, “Beat The Street” and “In The Name Of Love” – ALL of them bona fide club classics, and ALL of them reached number 1 on the Dance Chart!  Her final solo album, “Love How You Feel” (1983) kept the hits coming with “You’re A Winner” and “Somebody Save The Night” – songs that will guarantee packed dance floors anywhere. The album also included “Activate” and the totally gorgeous “Liar On The Wire”. All three of her 80’s solo albums are available as downloads from iTunes, and they have been re-released on CD as well. There are numerous compilations out there too, most them compiling her biggest hits, so if you want just those – anyone of those will do. For those of you who want it all, go for the three solo discs altogether! They contain a lot of great music, performed by a woman whose smooth, soulful but still strong voice will no doubt leave a lasting impression on music lovers!

One of the better collections of Sharon's music

Although there were no more solo albums, Sharon kept on working in the music business. She was a prominent back-up singer for the group Soiree, and she made a duet with Les Adams called “All The Way To Love” – the last time her name would appear on any record. She was gradually fading from sight in the later part of the decade, but “Beat The Street! The Very Best of Sharon Redd” came out 1989 and caused some flurry of activity. This hit collection includes a 15-minute “Mega mix” of all of her greatest hits.

Includes all 12" versions and a Mega Mix

When Sharon suddenly died in May 1992, at just 46 years old – the music industry was shocked; Though never a superstar diva, she had been a consistent hit maker for some time, and as a person she seems to have been very nice, as everyone who’ve met her will tell you that she was just wonderful to be around. The cause of death was given as pneumonia, then a magazine published an article stating that Sharon had died of AIDS, and that the pneumonia was just a sideline to her much more serious diagnosis.

Personally, I don’t care – she was a wonderful singer who died much to young, whatever the cause of it was. If I sometimes feel like dancing, chances are that it’s one of Sharon’s discs I play. And I like to believe that she sits on the edge of a cloud, tapping a high-heeled foot to the beat and smiles that half-shy smile of hers. As a singer, she was one of the very few who could put some soul and sincerity into the electronic beats of 80’s dance music – and that is one of the main reasons I’m such a fan. She cuts straight through the sonic melee, aiming for your heart….. “Surrender, baby!” – Yes. miss Redd – I’m all yours…!

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